Hello, I'm David M.

David has an MFA in creative writing rather than visual art​,​ and his training as an artist has been haphazard and sporadic. In the last 15 years​,​ however​,​ abstract painting emerged as an irresistible obsession. As a writer of essays​,​ poetry​,​ and particularly haiku​,​ he has a deep and abiding love of words​,​ but words and paint regard life differently. While words tell stories seemingly no matter what​,​ paintings evoke alternate realities​,​ ambiguous feelings​,​ and unaccountable discoveries. David’s abstracts defy narrative. Instead they ask viewers to create their own forms and stories. They offer meaning by implication. A high school English and history teacher for more than 35 years​,​ David is the son of a watercolor artist painting landscapes​,​ and his first forays into art began in doodling. His affinity for patterns arises from observations of design and variation in the natural and human-built world. Literal references sometimes seep to the surface in his work—maps​,​ cells​,​ logos​,​ machinery​,​ graffiti​,​ foliage​,​ calligraphy​,​ peeling paint​,​ and building faces—but his art is improvisational and begins with a few simple “rules” and evolves by breaking those rules. To David​,​ all art feels like doodling. He loves working in mixed palettes and watching simple lines​,​ shapes​,​ and forms morph into finely detailed​,​ complex​,​ and interrelated arrangements. Though the idiosyncrasy of his artistic voice is plain​,​ his work is diverse. It focuses on instinct and experimentation​,​ a determined effort not to repeat or imitate his earlier efforts. Primarily using acrylic paint​,​ markers​,​ ink​,​ and mixed media on aquarelle paper​,​ David also paints on unstretched canvas and uses collage and various resist techniques borrowed from batik. In addition to painting​,​ he is a book artist​,​ and his current project on Instagram is filling 5” X 8” moleskines and homemade books with daily art. He hopes to offer these books as unified pieces that develop—as a symphony might—themes and ideas expressive of a particular period of his artistic progress.

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